Using Demonstrative Exhibits - 101

I was preparing to dazzle you with a primer on the use of demonstrative exhibits in your presentation when I discovered an excellent article in the Georgia Injury Lawyer Blog written by  Richard W. Hendrix of the law firm Finch McCranie, LLP in Atlanta, Georgia.

The article is entitled "Closing Arguments: Trial Techniques for Serious Injury Cases" and attorney Hendrix covers a variety of well reasoned points.

But - since my focus is on graphic or visual presentation in the courtroom I was impressed by his paragraph covering the USE DEMONSTRATIVES AND TRIAL EXHIBITS wherin Mr. Hendrix states:

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Verbal Graphics & Visual Graphics - Honing Your Inner Storyteller

I love my job!

I get to meet attorneys who have to perform “stand up” on a regular basis to an audience whose approval they seek with material that is about as exciting as a wet newspaper.

Tough crowds - boring topics. Yet still they show up for appearance after appearance before a captive group of poorly paid and sometimes angry critics - many of whom are striving to look interested in the schtick  the attorney's hawking.

When I’m consulted to prepare a presentation for a first- time client I begin by stressing that we need to play to the lowest common denominator in our "audience". The facts need to “speak for themselves in short order";  it’s like telling a joke – if you have to explain it, you’ve lost any impact as well as the impression you were striving for.

Good litigators are where they are because they possess the gift of verbal presentation – they are storytellers by necessity.  I create the graphic extension to their story, but I’m careful not to become the story. Their story must “flow” naturally – the graphic must “feel" like it “belongs to the story.”

Our company has the ability to create stunning visuals, flashy titles and mind-boggling animations. Our clients’ eyes beam at the simplest effect – like they’re watching “Star Wars” for the first time.

Luckily, common sense prevails as I reign in the cowboys and we simplify, simplify, simplify the message until we’re left with ”just the facts ma’am.”

Just because we can create it doesn’t mean it’s going to work; by this I mean it’s too easy to overwhelm the message with the medium. You don’t want your audience to be dazzled with the mechanics of the presentation and completely overlook the message.

So, let me offer a few basic pointers for you first-timers dealing with projected images:

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"Courtroom Gadgetry" and "The Perry Mason Moment"

I was reading a great article published by Legal Times back in March 2004 entitled "Beyond the Flip Chart - How To Use The Latest CourtroomTechnology to Wow a Judge or Jury", by Mark David Wegener and Andrew Lazerow.  A particular paragraph early in the article struck me as prophetic as it related to a recent court incident I experienced at the Stanley Mosk Courthouse in downtown Los Angeles (the same courthouse used in the background of the TV series "Shark").

The article stated "The effective trial lawyer will continue to rely on the timeless tactics of credibility, emotional appeals, and logic. But in order to effectively persuade a jury, the trial lawyer must deliver the case themes and facts in a way that is consistent with how jurors process information in our high technology age.

Indeed, jurors have come to expect it. Even when the traditional flip chart or white board is large enough for a jury to actually read -in itself a rarity- the old techniques are simply not enough to keep a jury's (or a judge's) attention".

Well, this played right into our clients very own "Perry Mason moment" at the courthouse.

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